What comes as perhaps the most fascinating of Jean-Luc Goddard’s Breathless is the fact that the motion picture stands as a symbol of the cinematographic trends of the 1960’s that prevailed in Europe. What came as even more of a fascinating fact about Jean-Luc Goddard’s Breathless was that the motion picture was a symbol of the cinematographic trends of the 1960’s by going against almost all of them. Jean-Luc Goddard did not even follow the usual series of plot development but chose to begin his motion picture from one of the climax moments. These attributes of Jean-Luc Goddard’s Breathless were observed upon its release as well when the motion picture was noted for its attributes such as the fact that Jean-Luc Goddard chose to go against almost all of the general norms of motion picture direction.
Like the exceptional motion picture director that he is, he has taken a meaning and has communicated it to the audience through the most subtle of expressions. For instance, the motion picture does not start out slowly with minutes being devoted to introduction to the characters, but kicks off with the murder of the motorcycle cop at the hands of the lead character Michel. Also, in the end of the motion picture, the audience follows the lead character as he makes a dash for his freedom down an otherwise deserted road after leaving Patricia. Having made his choice at his own independence, Michel continues to make reckless choices throughout the motion picture until this particular one takes his life when the police shoot him. Needless to say, Jean-Luc Goddard redefined motion picture direction.
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