“[O]ne of the peculiar imbecilities of our time is the grid of morality we have placed on human behavior: so that every act of man must be measured against an arbitrary latitude of right and longitude of wrong-in exact minutes, seconds, and degrees!” (Lawrence and Lee).
However, as the play progresses, one can see that the motion picture seeks to develop upon the series of events that formed the famous Scope’s Trial and in doing so, brings forth certain perceptions that may not have been as prominent at the time of the actual trial. One can clearly see that the series of events that formed the Scope’s Trial were heavily influenced by hysteria for anti-communism and that when viewed from a particular perception one can see the reason because of which the Scope’s Trial is now regarded as one of the most monumental moments to define a person’s right to not merely think the way that he/she wants to but to speak his/her mind as well (Johnson).
The 1955 play Inherit the Wind reminds one of the uncanny 1953 play by the name of The Crucible. Even though the renounced the intention of serving as a historical account and was known for certain exaggerations and alterations in the portrayal of the series of events that led to the Salem Witch Trials, yet, it served as a window into the insecurities and the errors in moral and judgment that prevailed in the early days. It would not be unjustified to surmise that Jerome Lawrence and Robert Edwin Lee’s Inherit the Wind appears to be a genre that is the same as that of Arthur Miller’s The Crucible.